Vin Knight, Susie Sokol. Photo by Joan Marcus

Ben Williams, Mike Iveson, Kaneza Schaal, Susie Sokol, Vin Knight. Photo by Joan Marcus

Ben Williams, Susie Sokol, Vin Knight. Photo by Joan Marcus

Kaneza Schaal, Greig Sargeant, Susie Sokol, April Matthis, Vin Knight, Kate Scelsa, Mike Iveson. Photo by Joan Marcus

Mike Iveson, Susie Sokol, Kaneza Schaal. Photo by Joan Marcus

Susie Sokol, Ben Williams. Photo by Joan Marcus

April Matthis, Kate Scelsa, Susie Sokol, Vin Knight, Kaneza Schaal, Ben Williams. Photo by Joan Marcus

Randolf Curtis Rand, Annie McNamara, Aaron Landsman, Kate Scelsa. Photo by Joan Marcus

The Sound and the Fury

 

In 2008, The Sound and the Fury was presented for the first time at New York Theatre Workshop, then entitled “The Sound and the Fury (April Seventh, 1928)”. It subsequently toured to; REDCAT, Los Angeles, The Vienna Festival, Vienna, The Holland Festival, Amsterdam, and The Adelaide Festival, Australia. In 2015, The Sound and the Fury was remounted at The Public Theater for a twice-extended limited run.

 

The second in a trilogy of literary adaptations, this production tackles one of American literature’s most daunting challenges: the first chapter of William Faulkner’s The Sound and the Fury. That chapter, known as “the Benjy Chapter,” is told from the point of view of the Compson family’s youngest son. Mute and mentally handicapped, Benjy cannot distinguish between past and present. In prose that is in turns lyrical and confounding, hilarious and tragic, he free-associates his way through his family’s troubled past and longs for his lost sister.

 

With the same radical commitment ERS showed in its groundbreaking staging of The Great Gatsby, the ensemble embraces Faulkner’s language and his multilayered narrative. An eerily timeless family living room is the setting for the company’s romp through this dark story. With humor, pathos, high-energy choreography and a wildly versatile ensemble, the company brings this infamous literary masterpiece to life on stage.

 

Hypnotic … a magical opportunity.

—Ben Brantley, The New York Times

 

A stunning act of literary transmutation.

—David Cote, Time Out New York

 

…Suffused with an innocence that one rarely glimpses in a contemporary work of art.

—Hilton Als, The New Yorker

 

…Sophisticated and complex…one leaves the theatre awash with vivid images…

—Samela Harris, The Advertiser

 

Press

The New York Times May 21, 2015

Review: ‘The Sound and the Fury,’ Elevator Repair Service’s Take on Faulkner


TimeOut New York January 20, 2015

The Sound and the Fury: 4 Stars


Entertainment Weekly May 21, 2015

Elevator Repair Service’s The Sound and the Fury: EW stage review


Theatermania May 21, 2015

The Sound and the Fury


Exeunt Magazine May 21, 2015

The Sound and the Fury at Public Theater


New York Post May 21, 2015

‘The Sound and the Fury’ is a confusing yet engrossing Faulkner reboot


New York Daily News May 22, 2015

Fury, Again


Theater Pizzazz! May 21, 2015

The Sound and the Fury


Huffington Post May 21, 2015

ERS’s “Sound and Fury” Signifying… Something


The Bergen Record May 22, 2015

‘The Sound and the Fury’


The Advertiser March 12, 2010

The Sound And The Fury


The Australian March 15, 2010

Tangled Narratives Of Tragedy And Hope


Expresso-Actual January 24, 2009

The Sound And The Fury (April Seventh, 1928)


Publico January 20, 2009

Flowing With The Flux


The New Yorker May 26, 2008

Intruder In The Wings: A Staging Of William Faulkner's 'The Sound And The Fury'


The New Yorker May 5, 2008

Critic's Notebook: Novel Approach


The New York Times April 30, 2008

Faulkner's Haunted Family, Moving In And Out Of Time


Time Out New York April 30-May 6, 2008

Authorial Intense: Elevator Repair Service Puts Faulkner On Stage -- Verbatim.


Time Out New York April 30, 2008

The Sound And The Fury (April Seventh, 1928)


The New York Sun April 30, 2008

Elevator Repair Service's 'The Sound And The Fury (April Seventh, 1928)'


The International Herald Tribune April 29, 2008

Elevator Repair Service Celebrates Stream-Of-Consciousness


Backstage April 29, 2008

The Sound And The Fury (April Seventh, 1928): Elevator Repair Service At New York Theatre Workshop by Andy Propst

Variety April 29, 2008

Review: 'The Sound And The Fury (April Seventh, 1928)'


The New York Times April 27, 2008

They Did 'Gatsby." But Can They Handle Faulkner?


Variety November 30, 2007

Elevator Pushes Buttons With "Fury": N.Y. Company's Faulkner Adaptation Bows In April


The Brooklyn Rail April 2008

Nothing But Novel: Elevator Repair Service Does Faulkner


The Village Voice March 4, 2008

Spring Theater Preview - The Sound And The Fury, An Idiot's Tale: ERS Follows Up Fitzgerald With Faulkner


Variety November 30, 2007

NY Theaters Set Stage For Novel Ideas


Ensemble

 2015
  • Mike Iveson
  • Vin Knight
  • Aaron Landsman (also Pete Simpson)
  • Daphne Gaines
  • Rosie Goldensohn
  • Randolph Curtis Rand
  • Greig Sargeant
  • Lucy Taylor
  • Kaneza Schaal
  • Susie Sokol
  • Tory Vazquez (also Maggie Hoffman)
  • Ben Williams
  2008-2010
  • Mike Iveson
  • Vin Knight
  • Aaron Landsman (also Pete Simpson)
  • Annie McNamara
  • April Matthis (also Autumn Knight)
  • Randolph Curtis Rand (also Jim Fletcher)
  • Greig Sargeant
  • Kate Scelsa
  • Kaneza Schaal
  • Susie Sokol
  • Tory Vazquez (also Kristen Sieh)
  • Ben Williams
 
  • Text by William Faulkner
  • Director John Collins
  • Assistant Director (2008) Rachel Chavkin
  • Set Designer David Zinn
  • Lighting Designer Mark Barton
  • Sound Designer Matt Tierney
  • Costume Designer Colleen Werthmann
  • Projection Designer Eva von Schweinitz
  • Dance Director Katherine Profeta
  • Choreographer The ERS Ensemble
  • Stage Manager (2008) Sarah Hughes, (2015) Maurina Lioce
  • Assistant Stage Manager (2008) Katie Farley, (2015) Bridget Balodis
  • Production Manager Brian Garber
  • Technical Director Ben Williams
  • Associate Producer Lindsay Hockaday
  • Producer Ariana Smart Truman
Produced in 2008 by New York Theatre Workshop with the support of Dartmouth College. Support provided by REDCAT (Roy and Edna Disney/CalArts Theater). Produced in 2015 by Elevator Repair Service in partnership with The Public Theater and The Lehoczky Escobar Family Nicholas Quinn Rosenkranz in association with Shawn M. Donnelley David Gilbert