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A short excerpt of “Fondly, Collette Richland” will be read at the 10th anniversary of this multi-disciplinary performance series at the Invisible Dog. New York, NY…
Performing Arts Journal May 1998
…wrote, “In order to decipher a hieroglyph, a writer’s only recourse is signs (words) that immediately form another hieroglyph.” Conversely, Henry Miller wrote that “we realize the function of the theatre is not to hand…
The Brooklyn Rail April 2008
…sound design, and the occasional burst of dark whimsy. Previews of The Sound and the Fury begin April 15 at New York Theatre Workshop, 79 E. 4th St. Please visit www.nytw.org for more information. View…
…in benefit program ($250 tax deductible) For more information or to RSVP via email or phone, contact Ed McKeaney, Director of Development, at ed@elevator.org or 212-254-3137 Click here to download the ticket order form…
TheatreForum Issue 23
…insider and outsider; and, particularly important to understanding ERS’s rendition of the play, the generic modes of comedy and tragedy. Highlighting the comedy, perhaps in a way that is long overdue, Highway to Tomorrow is…
Walker Magazine March 11, 2013
…Sibyl Kempson: It’s super personal. I had been doing a lot of meditation. I wanted to build a spiritual practice for myself, and part of that has been about learning to stop fighting all the…
…Dear friend of ERS, Welcome to the first issue of The ERS Not-Quite-Monthly. We’ll be sending it to you every six weeks. Let us know what you think at info@elevator.org So,This Just Happened……
Performing Arts Journal May 1998
…wrote, “In order to decipher a hieroglyph, a writer’s only recourse is signs (words) that immediately form another hieroglyph.” Conversely, Henry Miller wrote that “we realize the function of the theatre is not to hand…
The New York Times September 24, 2013
…doesn’t describe what’s happening here. “Jurisfolly” would be closer. In this anatomy of a 1991 legal case, now being re-enacted at the Public Theater, order in the court — the Supreme Court, no less —…
Women and Performance: A Journal of Feminist Theory Issue 24
…I need to understand, in order to watch this world and be part of it?” The performers conferred and played, deferring the beginning of their own performances. But they were, or course, all the time…