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Bomb Spring 1999
…made fun of. SB: We try to be very careful these days about looking for inspiration in things—like comic books, or choreography from Hollywood movies or Old Fella records—that we actually think are good, not…
Women and Performance: A Journal of Feminist Theory Issue 24
…by Sara Jane Bailes 1. Waiting for Firefighters: Cab Legs Sara: What did you say about Cab Legs? John: Cab Legs — well, talking about things evolving in a completely free associative way,Cab Legs…
Walker Art Center interview June 8, 2006
…theater, which at one point was the way of telling stories in real time with actors. Then along came the movies, which I think are infinitely better equipped to do that. But movies will never…
…Seagull Zoom online rehearsal still (Kate Benson, John Collins (director), Susie Sokol, Robert M. Johanson, Maggie Hoffman, Julian Fleisher, Vin Knight, Laurena Allan, Lindsay Hockaday, John Gasper, Katherine Profeta (choreographer), Mark Rossier (producer),…
Time Out New York November 9, 2000
…turns its back to the audience and performs certain butt-movements that seem inspired by Jim Carrey’s Ace Ventura movies. This is downtown avant-garde by way of that other Clinton — George: “Free your mind and…
The New Yorker May 26, 2008
…any persistent belief you may have that the world makes sense and that art should reflect that- can still put people off. On being told that movies should have a beginning, a middle, and an…
Performing Arts Journal May 1998
…the drop of tragedy we seem to await. The choreography by Katherine Profeta derives from the dance rituals of contemporary Indian film; the dances in these movies are substitutions, flowery metaphors for things that cannot…
Performing Arts Journal May 1998
…from the dance rituals of contemporary Indian film; the dances in these movies are substitutions, flowery metaphors for things that cannot be shown, substitutes for modes of sexual engagement. They are exaggerated moments, time extended…
The Paris Review May 31, 2012
…in January 1991, the question the court faced was whether Indiana’s law violated the free expression guaranteed by the First Amendment. In Collins’s current staging, the arguments are reduced to a discussion between two figures,…
…appearing in The Memory Motel, a sort of reverie/dream/noir radio play written by David Greenspan and produced by the Two River Theater company. It will be free and available for listening on the Two River…