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Women and Performance: A Journal of Feminist Theory Issue 24
…a tighter collapse of person and place into the linguistic, spatial and temporal geographies of one world, any world. In English, meanwhile, we maintain separateness, a linguistic and cultural boundary that indexes an impossible, experiential…
Walker Art Center interview June 8, 2006
…painstaking attention to the historical authenticity of flapper dresses and Rolls Royces, their ‘Gatz’ instead focuses on another aspect of time—how long it takes to read every word of Fitzgerald’s novel. Set in a shabby,…
The New Yorker September 27, 2010
…of the show, a kind of sublimity. Audience members are engaged by a vivid theatrical reality-the obscure parallel drama unfolding among the office workers-but are also obliged to conjure the world “Gatsby.” When Shepherd reads…
The Village Voice May 26, 1998
…six or seven years ago, it seemed the news was as bad as it could be. But my experience now is of these incredibly successful things happening — in the face of financial impossibility. BEALL:…
Die Presse June 17, 2007
…Mix of Office World and Glamour World “Gatz,” the experiment named after Gatsby’s actual name, by the New York company Elevator Repair Service, was conceived with the intention of telling the story word for word…
The Point Magazine Spring 2009
…word-for-word reading of the novel by performer Scott Shepherd. After a brief opening sequence in which Shepherd establishes himself as an anonymous office worker in a barely functional office, he discovers Fitzgerald’s book tucked away…
Salzburger Nachrichten August 13, 1997
…Eight characters in search of a play: the marvelous Elevator Repair Service in Salzburg by Mario Jandrokovic Now how did the story go? Young man, doctor, meets young woman. He’s an idler, she’s too…
…April-May 2012, and then performed on London’s West End in June-July 2012 as part of the LIFT Festival. SHUFFLE was performed at NYU’s Bobst Library as part of PEN World Voices, and at the Brooklyn…
Le Soir May 25, 1998
…remain. These will be more than enough to support the drama. In silence, in preposterous or murmured dialogues (understanding the English isn’t imperative but it lets you in on loads of gags), in chair- and…
Die Welt September 10, 1998
…effect without effort, like the movements of ordinary young people acting obliviously, without any artistic intention. This trick was at work in the Sophiensaele during the world premiere of “Total Fictional Lie”, a production commissioned…