Search results for “Дизайн Человека Виктория Джем Топовый Специалист Дизайн Человека Human Design metahd.ru”
The New Yorker October 7, 2022
…America at the hands of white supremacy. Speaking in the days after unrest in Alabama, he says, “Something awful must have happened to a human being to be able to put a cattle prod against…
The Village Voice November 6, 2002
…sheds human light on a few of the drama’s smaller yet not insignificant concerns. For example, why does Antigone treat her sister Ismene so harshly? In the hands of Lydia Koniordou, Antigone emerges as a…
The Guardian August 15, 2010
…that points up the cartoon absurdity of jealous men fighting. The lighting reveals shadows in which human passions and bottles loom large, the diamond dazzle of light catching a glass like a temptation. If it…
The New York Times September 28, 2015
…and ambling work would pose seemingly insurmountable challenges to a stage director. For it occurs in a world in which everything seems to keep shifting — setting, language, human identity. And its reasons for doing…
The Village Voice May 26, 1998
…right there. BERGER: So it’s defined by the struggle? COLLINS: That’s half the definition. MARTING: A big part of downtown theater is that it’s founded on human capital. You never have the money to do…
New York Magazine October 6, 2010
…minds. Tellingly, his character is officially credited in the program as “Jim.” Tall, with a grim blond pediment of a brow, an Easter Island forehead, and an inability to fake a human smile, Fletcher’s “Jim”/Gatsby…
Walker Art Center interview June 8, 2006
…school, then what overwhelms your memory of it is the Roaring Twenties setting. To be able watch without that veneer gives you a better view of the human story underneath. JC: And also the writing….
San Francisco Chronicle February 14, 2020
…distant orchestra makes life seem yearned for even as it’s being lived. His rendering of a car crash conjures the fleshy thud of human body on metal — you can almost hear, in just an…
…vision. With strangely intimate performances, intricate choreography set to powerfully resonant Balinese gamelan music, sound and lighting design that are both simple and sophisticated, a penchant for slapstick, and innovative staging that takes nothing for…
The New York Times October 6, 2010
…from the beginning. But with the help of stealthily brilliant sound design (by Ben Williams) and lighting (Mark Barton), it becomes— thoroughly and indisputably— Gatsby’s vast Long Island pleasure palace; Myrtle’s cramped and squalid New…