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The American Conservative October 18, 2013
…from each other at a table communicate by text. Thanks to Baumel’s Cost Disease, live theater keeps getting more and more expensive, but it also keeps getting more and precious. And as it does, theater…
Women and Performance: A Journal of Feminist Theory Issue 24
…How did the buildings map out the city? What does it mean to live a daily life here, to buy a bagel or catch a bus? Where could I find stamps, or purchase milk that…
8Weekly June 16, 2006
…that you don’t understand English at all. If you do, then this performance is an absolute must. The actors from the New York group Elevator Repair Service speak very clearly, so the English is quite…
DC Metro Theater Arts March 1, 2017
…Service (ERS). Walking into the Lansburgh Theatre, I couldn’t image how Ernest Hemingway’s 1926 literary classic about living with fatalism as your watch-word, The Sun Also Rises could ever be adapted into a vital theatrical…
The New York Times May 21, 2015
…less arbitrary than it seems. But as far as I know, Elevator Repair Service is the first theater company to transform everything that’s said, thought and done in “April Seventh, 1928” into a sustained theatrical…
TheatreForum Issue 23
…sense based on found objects and given circumstances, and in a more abstract sense on ideas and images of interest to the artists involved. Other companies known for working with similar methodologies include New York…
The New York Times September 24, 2013
…“Arguendo” (which means “for the sake of argument”) might simply mine the obvious comic appeal of grandly dignified judges being turned into dirty old voyeurs. The production doesn’t follow that route. It does have a…
The New Yorker May 26, 2008
…by Hilton Als The evening I saw “The Sound and the Fury (April Seventh, 1928),” the theatre company Elevator Repair Service’s rendition of the first section of William Faulkner’s 1929 masterpiece (at the New…
DC Theater Scene March 1, 2017
…said, this hybrid Hemingway is replete with its own satisfactions, and ends up being a tribute that, while not slavishly authentic to the novel, does capture much of its essence. Like the company’s previous literary…
Bomb Spring 1999
…by Coco Fusco I never thought I’d hear an artist complain about having too much attention. Then I encountered theatrical wunderkind John Collins, codirector of the rising-star dramatic ensemble Elevator Repair Service and sound…