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Chicago Sun Times March 12, 2014
…“Arguendo” (from the Latin “for the sake of argument”). The 80-minute piece, an ingeniously staged, almost entirely verbatim rendering of the oral arguments in the case, explores notions of free speech, performance, the unique language…
The Paris Review May 31, 2012
…in January 1991, the question the court faced was whether Indiana’s law violated the free expression guaranteed by the First Amendment. In Collins’s current staging, the arguments are reduced to a discussion between two figures,…
New York Magazine September 26, 2013
…1991 Supreme Court case that grappled with an enduring constitutional quandary: Does all-nude dancing constitute free speech? (And, in a related question, do pasties and G-strings muzzle free expression?) The harrumphing transcript of this idiosyncratic…
The New York Times September 24, 2013
…as a strip club’s right to free expression. It’s true that the extempore utterances of Justices Scalia, Souter, Kennedy, et al. are not quite on a level with the sentences of Fitzgerald and Faulkner. But…
Women and Performance: A Journal of Feminist Theory Issue 24
…by Sara Jane Bailes 1. Waiting for Firefighters: Cab Legs Sara: What did you say about Cab Legs? John: Cab Legs — well, talking about things evolving in a completely free associative way,Cab Legs…
TheatreForum Issue 23
…to see how its generic modes can crossover and inform, hopefully for the better, theatrical modes. The play had not been cast, at least not in the traditional sense, at the time work began on…
TheatreForum Issue 23
…insider and outsider; and, particularly important to understanding ERS’s rendition of the play, the generic modes of comedy and tragedy. Highlighting the comedy, perhaps in a way that is long overdue, Highway to Tomorrow is…
Timeout Boston March 17, 2011
…glass of cheap port. Hemingway’s story, of listless American and British expats down and out in Paris and Pamplona, comes out like a tall tale told long and slurred over too many sherrys. The atmosphere…
The Village Voice September 12-18, 2007
…sidewalks, heavy on the vagrants) doesn’t deter a couple hundred performers, organizers, and audience members from gathering for indifferent nightclub acts, cheap booze, and lively conversation. Many of the festival’s offerings—Lee’s play, the Wooster Group’s…
The Village Voice May 26, 1998
…incredibly treacherous period to run a theater. You have all this creativity, but Manhattan is no longer cheap. We really run the risk of losing the spaces. KRISTIN MARTING: It’s a much broader group of…