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Women and Performance: A Journal of Feminist Theory Issue 24
…one of the more valuable imperatives of performance at its best: its capacity to resituate us, not as it mirrors or reflects back who we are, but in its ability to show us things differently….
The New York Sun April 30, 2008
…company Elevator Repair Service, he has got himself a corker of a play: a sensory blitzkrieg that is as logistically grueling as it is emotionally satisfying. Director John Collins has ringmastered a dozen performers and…
8Weekly June 16, 2006
…that you don’t understand English at all. If you do, then this performance is an absolute must. The actors from the New York group Elevator Repair Service speak very clearly, so the English is quite…
The American Conservative October 18, 2013
…entirely different path. The company is Elevator Repair Service, and their particular “thing” is exploring the relationship between text and performance. We tend to think of drama in terms of roles – characters that the…
The Point Magazine Spring 2009
…Gatz can be invoked to explain its profound power, primary among them the accomplishment of Fitzgerald’s storytelling and hypnotically crafted prose and the creative energy with which Elevator Repair Service exploits the mundane setting to…
Yale Alumni Magazine November/December 2005
…a nutshell, is Gatz (Gatsby), an audacious six-and-one-half-hour theatrical event created by the New York-based ensemble Elevator Repair Service under the direction of John Collins ’91. The show, which has been presented both as one…
Slate October 23, 2013
…make a piece of art. John directs a theater company called the Elevator Repair Service, and his invitation was at once implausible and irresistible: He wanted help creating a play—real live entertainment—from a Supreme Court…
Flavorpill NYC February 7-13, 2006
…The Elevator Repair Service’s inspired take on the Beat writers is a delight for theatregoers who feed on whimsical experimental works. While the group’s latest No Great Society may raise some mainstream audience eyebrows,…
Backstage April 29, 2008
…Repair Service has taken the stream-of-consciousness opening to this modern classic and rendered it as a viable — if not always enjoyable — theatrical offering. Told from the perspective of Benjy, who is mentally disabled…
The International Herald Tribune April 29, 2008
…NEW YORK: In its new staging of “The Sound and the Fury (April Seventh, 1928),” experimental theater troupe Elevator Repair Service (ERS) has created a new form of dramatic expression: stream-of-consciousness theater. Now on…