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Walker Magazine March 11, 2013
…also someone BOMB magazine calls “one of the most radical, transgressive, and hilarious playwright/performers out there.” Apparently those qualities have also given Kempson “arguably the busiest schedule of any theater artist in New York City.”…
…Gatz dreams come true, but some limitations may apply. Location must be in New York City and be approved by ERS; number of guests and mutually agreeable date to be arranged. Value: Priceless Measure…
Women and Performance: A Journal of Feminist Theory Issue 24
…the character is kind of neurotic. But also it’s blown up by the combination of that and the way we wanted to approach making theater for that piece. In a sense we stay interested in…
Broadway World September 24, 2013
…make even the sensual gyrations of a nightclub stripper lose their sex appeal like reducing it all to judicial procedure and legal jargon. And that’s one of the funnier points of Elevator Repair Service‘s zany…
The Village Voice September 12-18, 2007
…will not— at least any time soon. For years, ERS has lobbied the Fitzgerald estate for permission to perform the piece. The estate, which apparently still dreams of another Broadway adaptation, has barred the group…
…our office and occasionally volunteer at special events, fundraisers, production and rehearsals. To Apply: Interested applicants please send a CV or resume to Lindsay Hockaday at lindsay@elevator.org with the subject line “ERS General Internship”…
The New York Times April 30, 2008
…apparent chaos. Under the direction of John Collins, its founder, this 17-year-old experimental company doesn’t try to impose its own order on Faulkner’s prose. As it did with its “Gatsby,” the troupe follows the original…
The New Yorker May 26, 2008
…by David Zinn and Mark Barton, respectively.) Benjy (Susie Sokol), in an oversized wig, sits in a metal chair, center stage, his knees scrunched up to his chest. He appears to be wearing pajamas, while…
Time Out New York April 30-May 6, 2008
…the same verbatim approach to the first chapter of William Faulkner’s The Sound and the Fury. For those who haven’t read it (or tried and quailed), the 1929 classic tells the claustrophobic story of the…
…Weekend intensive: “Making Theater without a Script” All are welcome to apply. Application & Info…