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The New Yorker May 26, 2008
…any persistent belief you may have that the world makes sense and that art should reflect that- can still put people off. On being told that movies should have a beginning, a middle, and an…
8Weekly June 16, 2006
…to the the estate of Jay Gatsby, a magnificently wealthy, worldly figure about whom the most bizarre rumors are circulating. Gatsby moves in the same fashionable world that Nick’s rich and married cousin Daisy also…
The New Yorker September 27, 2010
…of the show, a kind of sublimity. Audience members are engaged by a vivid theatrical reality-the obscure parallel drama unfolding among the office workers-but are also obliged to conjure the world “Gatsby.” When Shepherd reads…
The Boston Globe May 15, 2009
…read, often in high school English class. They may have a vague memory of flappers, and something about the American Dream and a green light at the end of Daisy Buchanan’s dock. The achievement of…
Landboote August 28, 2006
…has become very familiar. Because during that time you become involved in a world — the world of a book. Page by page a game of transformation unfolds. Bystanders become participants in a reality that…
The Irish Times October 4, 2008
…makes you think about the nature of performance and narrative, of showing and telling, of the world inside our heads as we read, and the world that goes on around us as we do so….
NRC Handelsblad June 2, 2006
…broad-shouldered, strapping young man with a piercing glance. In these three films they conduct themselves the way rich Americans conduct themselves, at least in Fitzgerald’s imaginary world: they give parties, play golf, pour champagne, destroy…
De Volkskrant May 29, 2006
…War, the “Jazz Age,” and in roughly six and a half hours they turn it into their Gatz. Just how a set of drab office types manage to make the glamour world of the ruthlessly…
The Guardian August 15, 2010
…ex-pats in Paris who take jaunts to Spain in the 1920s — it is a collision. All around is the sound of breaking glass and breaking hearts, as the war-wounded Jake Barnes (Mike Iveson) tells…
Variety November 30, 2007
…of adapting it into a script – will clarify the material without simplifying it. He adds that it’s no accident his company has been tackling American authors, suggesting that the familiarity of American English is…