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The Sydney Morning Herald December 28, 2009
…with an exceptional program of theatre including Robert Lepage’s epic Lipsynch, Belarus Free Theatre’s uncompromising Being Harold Pinter, and one of the best productions of a classic I’ve seen: Katona Jozsef Theatre’s Ivanov. One show…
The New York Times December 16, 2010
…a Nervous Breakdown”). Yep, we had ’em all this year, to the point of suffocation. Add to that infra-dig works from some of the best dramatists writing in English (John Guare’s “Free Man of Color,”…
The Times of London May 10, 2012
…other so well, we’re like family. It isn’t free-form improvisation, but something much more organic.” The company is mostly male, and the lead parts in recent shows mainly male. “The company is aware of that,”…
de Volkskrant May 25, 1998
…spectator. But no, he shoots into the dressing room. These American actors in Cab Legs aren’t averse to a little confusion. With them the accidental enjoys free range. Or so they say. Because naturally most…
The New Yorker September 27, 2010
…performed as a monologue, even though Faulkner, in a sense, wrote it as one. Rather, the free-associative recollections of Benjy Compson, the mentally impaired man who narrates the chapter, are voiced by other actors, embodying…
The New York Times December 16, 2010
…a Nervous Breakdown”). Yep, we had ’em all this year, to the point of suffocation. Add to that infra-dig works from some of the best dramatists writing in English (John Guare’s “Free Man of Color,”…
The Times of London May 10, 2012
…other so well, we’re like family. It isn’t free-form improvisation, but something much more organic.” The company is mostly male, and the lead parts in recent shows mainly male. “The company is aware of that,”…
The Irish Times September 30, 2012
…trip in the Pyrenees, the party becomes wilder, the betrayals more flagrant. Barnes is carried along by its flow, just about keeping a cool head above its heady waters, while never free of its current,…
The American Conservative October 18, 2013
…content-neutral statute that had the effect of preventing certain types of speech or expression. The audience, of course, is free to disagree about the merits of the case and the constitutional analysis – ERS’s point…
…stage in rolling chairs, the company ponders whether dancing naked is free speech or just immoral behavior. ERS stages this unexpectedly compelling text with humor, rigor and some immoral behavior of its own. Event…