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…Premiere of FONDLY, COLLETTE RICHLAND, by up-and-coming downtown playwright Sibyl Kempson. In ERS’s first collaboration with a living playwright, Kempson and the company create an utterly unique world brought to vivid life by an…
DC Metro Theater Arts March 2, 2017
…Hemingway’s post World War I world. Founded in 1991, The Elevator Repair Service is an ensemble theatre known for turning prose into performance; they are also known for never changing a word of the original…
Landboote August 28, 2006
…has become very familiar. Because during that time you become involved in a world — the world of a book. Page by page a game of transformation unfolds. Bystanders become participants in a reality that…
The Village Voice September 4, 2013
…and Europe, becoming the group’s signature piece while Collins tried to get clearance for a hometown run; the estate eventually relented, but by that time, the rest of the world had seen it before New…
The New Yorker September 27, 2010
…of the show, a kind of sublimity. Audience members are engaged by a vivid theatrical reality-the obscure parallel drama unfolding among the office workers-but are also obliged to conjure the world “Gatsby.” When Shepherd reads…
The Boston Globe May 15, 2009
…‘Gatz’ is to reimagine and reanimate ‘Gatsby,’ forcing us to consider it afresh by thrusting it into a world that could not be more different from Fitzgerald’s glittering galaxy, all while remaining faithful to the…
…fully tax-deductible donation in support of the gala. Mark Russell has worked in the downtown dance/performance and theater world for over 40 years. From 1983-2004 he was the Executive Artistic Director of Performance Space 122….
American Theatre September 1997
…After all, Collins didn’t set out to be in theatre. “I had it all mapped out that I’d become a lawyer and go into politics or something,” he says. But an interest in acting, which…
Stage Left June 14, 2018
…critique, shifting power dynamics and sexual politics among Albee’s famous quartet of characters. This time, Martha’s in charge. Excerpt from “‘Everyone’s Fine with Virginia Woolf’—Martha’s Revenge!” by Robert Russo. Read the full article here….
Variety November 30, 2007
…will host “Slaughterhouse” and is currently breaking house records with an innovative take from Chicago-based Writers’ Theater on Dostoevsky’s “Crime and Punishment,” which sets the radically condensed play almost entirely in protagonist Raskolnikov’s head. Tear…