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The Scotsman August 26, 2010
…or authenticity by setting the whole action in a generic bar-room of any place or period, and adopting a Brechtian rehearsal room technique that combines Jake’s narrative — performed with tremendous quiet clarity by Mike…
TheatreForum Issue 23
…insider and outsider; and, particularly important to understanding ERS’s rendition of the play, the generic modes of comedy and tragedy. Highlighting the comedy, perhaps in a way that is long overdue, Highway to Tomorrow is…
TheatreForum Issue 23
…to see how its generic modes can crossover and inform, hopefully for the better, theatrical modes. The play had not been cast, at least not in the traditional sense, at the time work began on…
Women and Performance: A Journal of Feminist Theory Issue 24
…starring Jim Carrey. ERS was there first.] So in Language Instruction we experimented for the first time with one of the actors being hyperaware of the audience; extra sensitized and having direct contact. There’s a…
…April Matthis. You can find Chapter 1 at www.category-other.com. He is also making a video game called Lost Sea. A physical arcade version is in the works. In addition to listening to April Matthis, you…
NRC Handelsblad June 2, 2006
…adaptation at all. As a result, “Gatz” became something unique: one of the office drones has a compulsive urge to read the entire book out loud, roughly 200 pages, in a theater marathon that, including…
CLICK HERE FOR AUCTION FULFILLMENT Private Tour of The Met with Peter Schjeldahl and Steve Martin Tour The Metropolitan Museum of Art one weekday morning before it opens to…
Timeout New York September 11, 2012
…Cohn and wisecracking Bill Gorton) live-mix an aural tapestry of French 1960s pop, Spanish guitar and found audio, layered to evoke the tumult of a Madrid fiesta and many other locales. At about 200 minutes,…
Vulture March 19, 2020
By Helen Shaw If you time the Theater Shutdown from Thursday, March 12, then we’re through day seven. Seven days of turning into the City that Never Gathers. Seven days! Time enough for…
Performing Arts Journal May 1998
…us back the everyday familiar reality, but to give us intimations of a super reality which knows no bourne.” Both statements — naked, fecund with awareness — offer us translations of the theatrical statement. In…