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Variety November 30, 2007
…whom Nicola is the latest: Like other New York theater programmers (including the Public’s Oskar Eustis), he’s been pressuring the Fitzgerald estate to free up “Gatz” for a New York run. Nicola has also gone…
The New Yorker May 25, 2011
…calculated and stylized. Their first project, Listening Post, drew from a database of chat-room conversations, bulletin boards, and other online public forums, and presented the words on a wall of small screens in a series…
…all episodes available for streaming from January 25th to May 15th, 2021. Then in the spring, MAERY S. will continue as a series of video works presented by Abrons Arts Center and The Chocolate Factory…
Chicago Sun Times March 12, 2014
…“Arguendo” (from the Latin “for the sake of argument”). The 80-minute piece, an ingeniously staged, almost entirely verbatim rendering of the oral arguments in the case, explores notions of free speech, performance, the unique language…
Walker Magazine March 11, 2013
…preparing for preview performances of Fondly, Colette Richland at the Walker this May. Watch for an upcoming feature on the playwright and ERS artistic director John Collins. Jeremy Cohen: Let’s start by talking about what…
Walker Art Center interview June 8, 2006
…that you’re just having your imagination fed by it. So a dirty, messy office, something mundane and pedestrian like that, is a better way to watch people’s imaginations taking control of them. Because otherwise you’re…
The Scotsman August 26, 2010
…journey from jazz age to electronic age, in a quest for not only for freedom, but for authenticity, and for something we can call love. View the original article on The Scotsman website here….
The New Yorker May 26, 2008
…as he wrote it, was fully aware that it was the kind of work most writers long to produce: free of editorial constraints, a pure mining of his imagination. In a 1983 memoir, Ben Wasson,…
…have joined them on foot and online, we all unequivocally support these voices. We join them in demanding an end not only to these senseless murders but also to the pervasive racism that has plagued…
Washingtonian April 4, 2014
…of a white lace collar to her official robes. Both are engaging, and make you wonder why Elevator artistic director John Collins chose to rely so heavily on court transcripts for the rest of the…