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…the forthcoming “Cold, Hot, Heavy, Light: 100 Art Writings 1988-2018,” will show and discuss a few of his favorite paintings, and then the group can play Stump the Critic, asking him to comment on whatever…
The New Yorker October 7, 2022
…that uses the language of his 1965 debate with William F. Buckley, Jr., at the Cambridge Union as its text. (The other is by the group the american vicarious.) This spring, the Vineyard mounted “Lessons…
ArtForum: Best of 2007 December 1, 2007
…by Debra Singer (excerpted) Even the more established theater groups this year warranted consideration in the art-world context, however. Stylishly distilled in its uses of appropriation, simulation, fracturing, and repetition—all strategies deeply familiar to…
ArtForum: Best of 2007 December 2007
…by Debra Singer (excerpted) Even the more established theater groups this year warranted consideration in the art-world context, however. Stylishly distilled in its uses of appropriation, simulation, fracturing, and repetition—all strategies deeply familiar to…
Walker Magazine March 11, 2013
…seem less odd, possibly even more straightforward than the others. But that’s doubtful, not just because of her penchant for delving into themes of the primordial and the supernatural, the grotesque and the uncanny. She’s…
The Australian March 15, 2010
…different narrators. Three of them are brothers: Benjy, Quentin and Jason Compson, from a Mississippi landed dynasty now seen (like the American south, in Faulkner’s view) to be in racist decline. This production uses only…
…ERS, in collaboration with The Office for Creative Research, present a performance installation that uses information from MoMA’s collection database as the source material for its script. More Info…
The New York Daily News January 31, 1993
…sometimes comes off like a parody of experimental theater, more often it’s a fresh and hilarious meeting of style and subject. A lot of mayhem goes on onstage, but it’s all very ordered and precise….
The Irish Times October 4, 2008
…quarter of the shows at this year’s Dublin Theatre Festival are performances based on prose texts. From classics such as ‘The Great Gatsby’, ‘The Brothers Karamazov’, ‘The Metamorphosis’ and ‘Heart of Darkness’ to Joan Didion’s…
Variety April 29, 2008
…company seem more interested in Faulkner’s style than in the story he’s telling. The author uses his devices to serve a larger human drama, but in this production, feelings rarely break through. ERS works with…