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Timeout New York September 11, 2012
…Cohn and wisecracking Bill Gorton) live-mix an aural tapestry of French 1960s pop, Spanish guitar and found audio, layered to evoke the tumult of a Madrid fiesta and many other locales. At about 200 minutes,…
NRC Handelsblad June 2, 2006
…adaptation at all. As a result, “Gatz” became something unique: one of the office drones has a compulsive urge to read the entire book out loud, roughly 200 pages, in a theater marathon that, including…
CLICK HERE FOR AUCTION FULFILLMENT Private Tour of The Met with Peter Schjeldahl and Steve Martin Tour The Metropolitan Museum of Art one weekday morning before it opens to…
Theater Mania June 12, 2018
…relentless energy by Annie McNamara), singing “I’m totes cool with Virginia Woolf. She’s my bitch. I love her. I like how she was super gay. La la la de da,” before informing George that a…
Variety October 1, 2006
…Specialist (Susie Sokol, interjecting a contempo performance sensibility); and an angry, key-jangling building super who morphs into the blunt-force Tom (Robert Cucuzza), the dunderheaded son of privilege from the novel transformed into a character who…
The Sydney Morning Herald May 19, 2009
…the rest of Fitzgerald’s characters: a girl who reads golf magazines in her downtime has become Jordan Baker; a pretty secretary is now Daisy and the testy building super her aristocratic thug of a husband,…
New York Times June 12, 2018
…like how she was super gay.” That rejiggered setup might suggest that this latest offering from the troupe that gave us the dazzling “Gatz” (after “The Great Gatsby”) is a dedicated work of political correction….
DC Metro Theater Arts March 1, 2017
…production that is an absorbing, daring, imaginative, and straightforward about the aftermath of The Great War, and any war, I suggest, a visit to the Shakespeare Theatre Company is in order. It is there, and…
Time Out New York November 7, 2002
…sound in a room, which designers record in order to have white noise for filling in the gaps on a movie soundtrack. It’s a perfect conceit for a show dealing with the invisible presence of…
The New Yorker May 26, 2008
…end, Jean-Luc Godard responded, “But not necessarily in that order.” Many of Faulkner’s novels and short stories don’t even try to follow a chronology. They are attempts at the near-unattainable: reshaping the reader’s consciousness. Ambition…