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…Ruined (Denver Center), and A Raisin in the Sun (Geva Theater). Social Media Handles: daphnegaines.com, Instagram: dapgaines Worst job you ever had: I was a bartender in an old NYC bar that stayed open…
The Village Voice May 26, 1998
…incredibly treacherous period to run a theater. You have all this creativity, but Manhattan is no longer cheap. We really run the risk of losing the spaces. KRISTIN MARTING: It’s a much broader group of…
New York Magazine October 6, 2010
…by Scott Brown The culture’s currently crawling with Gatsbyesque figures, from the silicon ciphers ofThe Social Network to the “self-made” congressional candidates of the tea party. But anyone seeking this generation’s true second coming…
Timeout Boston March 17, 2011
…glass of cheap port. Hemingway’s story, of listless American and British expats down and out in Paris and Pamplona, comes out like a tall tale told long and slurred over too many sherrys. The atmosphere…
Le Soir May 24, 2006
…of new riches and passions on lush Long Island into a world of filing and paperwork. A (re)reading full of humor you should absolutely treat yourself to. One condition: understand English fluently or know the…
Tages-Anzeiger August 28, 2006
…perfection is the one small problem for this unvain company (vanity would treat the text as a sacred thing immediately, which in this radically conservative form, and with this duration, would be intolerable). The structure…
Irish Times September 29, 2008
…a trickle that soon becomes a torrent, F. Scott Fitzgerald’s story sweeps everyone into its service. It’s a novel idea, but to avoid becoming a staged read-through, or an endurance test, it must be so…
The New York Times July 16, 2006
…treat the book like the Bible.” To give a sense of the production, Mr. Collins showed an abbreviated tape of “Gatz” at the Fort Greene offices of Elevator Repair Service, whose name comes from a…
The New Yorker May 26, 2008
…for the most part to avoid emulating her deconstructionist sophistication. This show runs on something more substantial than chic, more difficult than irony- namely, the real blood and sweat that go into making stories feel…
Walker Art Center interview June 8, 2006
…isn’t indulgence, but commitment. I think that’s what’s exciting to an audience. Something can feel long if it’s 30 minutes and it starts feeling indulgent after 5. That can be interminable, and we’ve all experienced…