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The Village Voice May 28, 2002
…a deeper, more subtle politics. I see others around the world investigating this same territory. Two examples: Forced Entertainment in the U.K. and Theater Group STAN in Belgium. These artists also reduce the theatrical to…
… SO, THIS JUST HAPPENED… ERS News and Announcements We are pleased to welcome Mariana Catalina to ERS as our new Company Manager. She is also a producer of live performance, as…
… SO, THIS JUST HAPPENED… ERS News and Announcements Ensemble members Greig Sargeant and Ben Williams and Artistic Director John Collins recently participated in a conversation with Katie Pearl and Pablo Wickham from…
Bomb Spring 1999
…audience and somehow that works. But today monologues seem so arty or contrived. Now the only things that seem sort of real are grunts and unfinished sentences. And the only form in which people talk…
The Irish Times October 4, 2008
…makes you think about the nature of performance and narrative, of showing and telling, of the world inside our heads as we read, and the world that goes on around us as we do so….
NRC Handelsblad June 2, 2006
…broad-shouldered, strapping young man with a piercing glance. In these three films they conduct themselves the way rich Americans conduct themselves, at least in Fitzgerald’s imaginary world: they give parties, play golf, pour champagne, destroy…
De Volkskrant May 29, 2006
…War, the “Jazz Age,” and in roughly six and a half hours they turn it into their Gatz. Just how a set of drab office types manage to make the glamour world of the ruthlessly…
Variety October 1, 2006
…breaking his narration, he begins flipping through the pages of the book from which he has been reading. It’s a neat trick, breaking free from the reading-aloud mode, and he delivers the balance of the…
The Guardian August 15, 2010
…ex-pats in Paris who take jaunts to Spain in the 1920s — it is a collision. All around is the sound of breaking glass and breaking hearts, as the war-wounded Jake Barnes (Mike Iveson) tells…
The Bergen Record May 22, 2015
…the reader has to puzzle out not only what he’s describing, but when it happened. What the stage version, initially performed off-Broadway in 2008, attempts to do is present the world of the sizable Compson…