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The Times of London May 10, 2012
…come 23 performances in London, then a short Los Angeles run. It was New York magazine’s top theatre show of 2011. Collins has created a hit. Broadway has been invoked. “Gatz has helped me live…
The New York Sun April 30, 2008
…conventional “Gatsby” adaptation have managed to keep it out of New York. And so the company has shifted its unexpurgated efforts from Fitzgerald to Faulkner, employing a similar method on “April Seventh, 1928.” That subtitle…
…1 & 1.5 of the Securely Conferred, Vouchsafed Keepsakes of Maery S. by Sibyl Kempson will screen live & in-person at the NEW Chocolate Factory Theater on October 31st, and then streams from Abrons Arts…
Slate October 23, 2013
…work. He’d figured out a few years earlier that it’s possible to download audio files of the court’s oral arguments. He’d started with Eldred v. Ashcroft, a major 2002 copyright ruling, because he was wondering…
Women and Performance: A Journal of Feminist Theory Issue 24
…by Sara Jane Bailes 1. Waiting for Firefighters: Cab Legs Sara: What did you say about Cab Legs? John: Cab Legs — well, talking about things evolving in a completely free associative way,Cab Legs…
The Brooklyn Rail April 2008
…is exploring the artistic intentions of William Faulkner with their new adaptation titled The Sound and the Fury (April Seventh, 1928). “We’ve been searching for a way to be radically committed to this text,” says…
…Virginia Woolf’— Martha’s Revenge! By Robert Russo Stage Left June 14th, 2018 ‘Everyone’s Fine With Virginia Woolf,’ Abrons Art Center, New York – Consistently Hilarious by Max McGuinness Financial Times June 14th, 2018 …
Publico January 20, 2009
…of the United States. By using “stream of consciousness” as a narrative technique, Faulkner’s experimental boldness achieves virtuosity in the first part of the novel – “April Seventh, 1928” – narrated by Benjy, the mute…
Art in America February 1998
…played in Manhattan at HERE Performance Art Café [Aug. 14-29, 1998], and began again at Joe’s Pub at the Public Theater this January. De la Guarda continues its run at the Daryl Roth Theater [through…
SO, THIS JUST HAPPENED… ERS News and Announcements Ensemble members Greig Sargeant and Ben Williams and Artistic Director John Collins recently participated in a conversation with Katie Pearl and Pablo Wickham…