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The Village Voice September 12-18, 2007
…very pleasant weekend. New York audiences could construe Live Arts as a larger Under the Radar or a low-rent Lincoln Center Fest. Running through September 15 in concert with the Philly Fringe, Live Arts treats…
TheatreForum Issue 23
…a piece, with “finished” being a relative term, as the piece can live on in the repertory, ripe for change when it is revived. Dali, McGurk, Williams, and Wuornos, or love and hate in the…
…Hills. Round-trip airfare for two to Los Angeles and two nights in a deluxe room with breakfast are included. Join the studio audience at Warner Bros Studios in Burbank for a live taping of The…
Time Out New York April 30-May 6, 2008
…as ERS might, Gatz was deemed competition and banished, first into a workshop production, and then to Philadelphia (the closest ERS got to New York was last year’s Live Arts Festival). Now, artistic director John…
Walker Magazine April 30, 2013
…live and breathe; it’s really exciting,” said Collins. “It’s so amazing,” added Kempson; and as Collins interjected, “It’s a little … it’s a lot insane.” But their turn to collaboration over control makes sense considering…
…Premiere of FONDLY, COLLETTE RICHLAND, by up-and-coming downtown playwright Sibyl Kempson. In ERS’s first collaboration with a living playwright, Kempson and the company create an utterly unique world brought to vivid life by an…
Neue Zürcher Zeitung August 28, 2006
…gradually got cooler in the wee hours at the Rote Fabrik, the American company Elevator Repair Service kept the audience warm — and in the end they received a heated ovation. Dogears and coffee stains,…
Performing Arts Journal May 1998
…with sheer, if anguished, confidence. Shepherd’s slouch is a thing of impeccable grace, exhibiting a very American nonchalance. Sokol keeps things moving even over the sexually laden exchanges of silence with her inventive, understated movements….
New York Times September 11, 2011
…its narrator’s subjectivity and how we, the readers, link into it. The storyteller here is Jake Barnes (Mike Iveson), an American in Paris and a journalist who has been left impotent by a war injury….
New York Magazine October 6, 2010
…moment deepens Fitzgerald’s old riddle about the vacuum at the center of American lives, stages a collision of theater and prose, and plays as a perfect gag. Then the sixth hour begins, we can see…