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Walker Magazine April 30, 2013
…“Cliff Hangers,” a classic game from the show The Price Is Right that involves a mechanical mountaineer yodeling his way up a mountain. Then, as the group watched “Cliff Hangers” segments on YouTube, they became…
Theater Mania June 12, 2018
…By: Pete Hempstead Few female characters of the theater have risen to the iconic status of Martha in Edward Albee’s Who’s Afraid of Virginia Woolf? Martha — loud, brash, and unwilling to put up…
…Terence Price, Gail and George Reeke, Meredith Reiches, Wendy Remington and Micah Bowie, Judith Rinearson and Nick Lewis, Richard Rizzo, Paul Rogers, Thomas Roshan, Allen Rothman, Steve Rotter, Audrey Rush, Jennifer Saal, Cynthia Salten, Stephanie…
Slate October 23, 2013
…of the evidence cities present about the secondary effects of strip clubs—essentially asking the question, Do they ruin the neighborhood? When I asked my intern at the time, Katie Henderson, to figure out what had…
The American Conservative October 18, 2013
…new show out now, not as profound in its effects as GATZ, but a whole lot of fun. And they continue to explore the intersection of text and performance, in this case with material that…
Sarasota Herald-Tribune October 8, 2009
…Cook Theatre in the FSU Center for the Performing Arts, 5555 N. Tamiami Trail, Sarasota. For more information, call 360-7399 or check out ringlingartsfestival.org. View the original article on the Sarasota Herald-Tribune website here….
TheatreForum Issue 23
…hi-tech in its sound design. The rehearsal room is set up with an impressive array of sound gear: aside from component stereo equipment, there is a computer running a custom-designed sound-effects system, as well as…
…Despite the curveballs COVID-19 continues to throw at the performing arts, we’re very excited to share Seagull with you this summer. For tickets and more information about Skirball’s season, click here. Exciting Organizational Changes Marilyn…
Women and Performance: A Journal of Feminist Theory Issue 24
…to go off. S: So you would have information the audience was intentionally kept unaware of? J: Yes. Because the other thing we were interested in then was in seeing how little could happen on…
…national and international performance platforms. Interns will leave having created and collaborated on a variety of documents such as information sheets, invitations, programs, contracts, budgets, schedules, and marketing materials which can serve as templates for…