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The Scotsman August 26, 2010
…dazzlingly free and inventive, though, in its use of music spanning the whole century, and of sudden bursts of wild choreography, to create a profoundly intelligent piece of theatre that effortlessly bridges the decades since…
Metro US October 21, 2013
…complicated: Is dancing protected under the First Amendment as free speech? Do the dancers have the right of artistic expression? The play references an opera early in the argument, positing that state law says you…
Paper December 1994
…group coagulated into something that actually produced plays and got reviews, E.R.S. has presented a series of eclectic and original pieces. 1992’s production of Marx Brothers on Horseback Salad reinvented the meeting between the Marx…
…second in a trilogy of literary adaptations, this production tackles one of American literature’s most daunting challenges: the first chapter of William Faulkner’s The Sound and the Fury. That chapter, known as “the Benjy Chapter,”…
The Chicago Tribune November 17, 2008
…free it. With very few exceptions, that’s not something Hollywood understands. But isn’t it better not to see Gatsby’s mansion and concentrate on the characters’ pain, optimism, mystery and ambivalence? That way everything stays in…
New York Times September 11, 2011
…grab hold of, though, are your emotions. As Jake the narrator, Mr. Iveson has a heavy sled of exposition to pull, and he sounds self-conscious walking through Hemingway’s contraction-free, fine and good prose. As Jake…
…appearing in The Memory Motel, a sort of reverie/dream/noir radio play written by David Greenspan and produced by the Two River Theater company. It will be free and available for listening on the Two River…
Entertainment Weekly September 24, 2013
…watching an amateur theatrical production seems like a cheap shot that’s also completely beside the point. Even so,Arguendo offers a spirited defense of free expression that is as heartfelt as it is silly. Read…
The New Yorker May 26, 2008
…as he wrote it, was fully aware that it was the kind of work most writers long to produce: free of editorial constraints, a pure mining of his imagination. In a 1983 memoir, Ben Wasson,…
…and mask-wearing will be required, seating is limited, tickets are free – email kate.eliz@gmail.com to make a reservation. Made possible by NYFA’s City Artist Corps. BORNE BACK CEASELESSLY Glimpses into ERS’s Past Opening night curtain…